To raise the $50,000 budget for The Endless Summer, Brown took the best footage from his four previous films and made Waterlogged. To do this, he would need a bigger budget than he had on previous films. Brown remembered, "I felt if I could take two years to make a film, maybe I could make something special". He would shoot during the fall and winter months, edit during the spring and show the finished product during the summer. By 1962, he had spent five years making one surf film per year. Brown said, "I never had formal training in filmmaking and that probably worked to my advantage".
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On the plane ride over, the novice filmmaker read a book about how to make movies. In the winter of 1958, Brown went back to Hawaii to film the North Shore's big surf. Velzy bought Brown a 16 mm camera and together they raised $5,000 to make Slippery When Wet, Brown's first "real" surf film. Surfer Dale Velzy showed it at his San Clemente shop, charging 25 cents for admission. Once Brown got back to the states, he edited his footage into an hour-long film.
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While serving in the United States Navy on Oahu years later, he used an 8 mm movie camera to photograph surfers from California. He took still photographs to show his mother what the draw of the sport was. In 1994, it was followed by the sequel The Endless Summer II, which was later followed by Step into Liquid, directed by Brown's son Dana, in 2003.īruce Brown started surfing in the early 1950s. It also introduced the sport, which had become popular outside of Hawaii and the Polynesian Islands in places like California and Australia, to a broader audience. When The Endless Summer premiered on June 15, 1966, it encouraged many surfers to travel abroad, giving birth to the "surf-and-travel" culture, with prizes for finding "uncrowded surf", meeting new people and riding the "perfect wave". The film's surf rock soundtrack was provided by The Sandals, and the theme song was written by Gaston Georis and John Blakeley of the Sandals the theme has since become one of the best known film themes in the surf movie genre. The narrative presentation eases from the stiff, formal documentary of the 1950s and early 1960s to a more casual, fun-loving and personal style filled with sly humor. The travel agent suggested that the flight from Los Angeles to Cape Town, South Africa and back would cost $50 more than a trip circumnavigating the world., after which Bruce came up with the idea of following the summer season by traveling up and down the world. The original concept was born through the suggestion of a travel agent to Brown during the planning stages of the film. The film's title comes from the idea expressed at both the beginning and end of the film that, if one had enough time and money, it would be possible to follow the summer up and down the world (northern to southern hemisphere and back), making it endless. Other important surfers of the time, such as Miki Dora, Phil Edwards, Butch Van Artsdalen and Corky Carroll, also appear. They travel to the coasts of Australia, New Zealand, Tahiti, Hawaii, Senegal, Ghana, Nigeria and South Africa in a quest for new surf spots while introducing locals to the sport along the way. Despite the balmy climate of their native California, cold ocean currents make local beaches inhospitable during the winter. The film follows surfers Mike Hynson and Robert August on a surfing trip around the world. The Endless Summer is a 1966 American surf documentary film directed, produced, edited and narrated by Bruce Brown.